Final Programme (1973)
Año de Estreno: 1973
Nación: United Kingdom
Título Alternativo: The Final Programme, O Programa Final, Supersankari, Les décimales du futur, Satanikos engefalos, Alfa Omega - Il principio della fine, Programul final, Конечная программа, The Last Days of Man on Earth, Verrückt und gefährlich
Director: Robert Fuest
Guionista: Michael Moorcock, Robert Fuest
Producción & Género
Productor(es):
Compañías: Anglo-EMI Film Distributors, Gladiole, Goodtimes Enterprises
Género: Comedy, Dystopian Film, Fantasy Film, Lgbt-Related Film, Sci-Fi, Science Fiction, Science Fiction Comedy, Science Fiction Film, Thriller
Premios & Similares
Premios:
Similares: N/A
Argumento
After his Nobel Prize-winning physicist father's death, billionaire Jerry Cornelius becomes entangled in the pursuit of his father's mysterious 'Final Programme'. The programme is a blueprint for creating a perfect, self-replicating human being, stored on microfilm. Led by the formidable Miss Brunner, who consumes her lovers, a group of scientists seeks Cornelius' help to obtain it. Pursuing them across war-torn Europe, they eventually secure the microfilm from Jerry's brother Frank. Together with Miss Brunner, Jerry heads to an abandoned underground Nazi fortress in the Arctic to run the programme, with himself and Miss Brunner as the subjects.
(Este texto solo está disponible en inglés.)
Resumen
Directed by Robert Fuest in 1973, 'Final Programme' is a British science fiction comedy-thriller that blends elements of fantasy, dystopia, and LGBT-related themes. The story revolves around Jerry Cornelius, played by Jonathan Pryce, who becomes embroiled in the search for his father's groundbreaking yet dangerous creation. With its unique blend of genres and a distinctive visual style, the film offers a thought-provoking exploration of humanity's desire to control and replicate itself.
(Este texto solo está disponible en inglés.)
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