Hardcore Henry (2015)
Año de lanzamiento: 2015
Nación: N/A
Alternative Title: Hardcore, Hardcore: Misión extrema, Hardcore: Missão Extrema, Raju Henry, Hardcore!
Director: Ilya Naishuller
Writer: Ilya Naishuller
Producción & Género
Productor: Producer: Ekaterina Kononenko, Ilya Naishuller, Inga Vainshtein Smith, Timur Bekmambetov
Co-Producer: Adam Sidman, Aleksey Alekseev, Sergei Valyaev
Executive Producer: Adam Fogelson, Alex A. Ginzburg, Donald Tang, Jerry Ye, Karina Sinenko, Mariya Zatulovskaya, Matt Beurois, Oren Aviv, Robert Simonds, Sharlto Copley, Tony Lee, Wang Zhongjun, Wang Zhonglei, Will Stewart
Compañías: Bazelevs Production, Huayi Brothers Pictures, Versus Pictures
Género: Action, Adventure, Science Fiction
Budget: 2.000.000
Premios & Similares
Premios:
Similar:
Palabras clave
Palabras clave: cyborg, experimental film, first person view, found footage, good versus evil, gore, levitation, martial arts, moscow, russia, murder, terrorist group
Historia
Hardcore Henry follows the titular character who wakes up in a laboratory with no memory of his past. He learns that he has been resurrected as a cyborg by his creator and wife, Estelle, who is currently held captive by a telekinetic tyrant named Akan. Throughout the course of one day in Moscow, Russia, Henry must fight against Akan's army of mercenaries to rescue Estelle. Alongside him is Jimmy, an unknown ally who aids Henry in navigating this dangerous world and surviving his mission.
Resumen
Hardcore Henry is an action-packed science fiction film directed by Ilya Naishuller, released in 2015. The movie is unique for its first-person perspective, immersing viewers into the action sequences as if they were Henry himself. Set entirely within one day in Moscow, Russia, the story revolves around good versus evil, with Henry trying to save his wife/creator from a psychotic tyrant. The film is notable for its gore, martial arts combat, and levitation abilities exhibited by Akan's character. As an experimental film, it employs found footage techniques to enhance its first-person narrative.
