Holy Beasts (2019)
Año de lanzamiento: 2019
Nación: Argentina, Dominican Republic, Mexico
Alternative Title: La Fiera y La Fiesta, Beauty Kingdom
Director: Israel Cárdenas, Laura Amelia Guzmán
Writer: Israel Cárdenas, Laura Amelia Guzmán
Producción & Género
Productor: Producer: Gabriel Tineo, Israel Cárdenas, Laura Amelia Guzmán, Rafael Elias Munoz
Co-Producer: Benjamín Doménech, Matías Roveda, Nicolás Celis, Sandino Saravia, Santiago Gallelli
Executive Producer: Albert Martínez Martín
Compañías: Aurora Dominicana, Batu Films, Lantica Media, Pimienta Films, Rei Pictures
Género: Drama
Budget: $1,650,000 (estimated).
Premios & Similares
Premios:
Similar: N/A
Palabras clave
Palabras clave: androgynous character, androgynous man, androgynous woman, black maid, cave, costume party, criticism of religion, female topless nudity, film about film, filming, land rover defender, main character commits suicide, meta cinema, putting on makeup, stabbed in the back, swimming, tasting blood, thunderstorm, two directors, vampire
Historia
In 'Holy Beasts', a filmmaker embarks on a journey to complete an unfinished work by Dominican director Jean-Louis Jorge decades after his death. The film is portrayed as a somnambulistic fantasy, suggesting it's a dreamlike exploration of memory and artistic legacy.
Resumen
'Holy Beasts' (2019) is a drama directed by Israel Cárdenas and Laura Amelia Guzmán, set against the backdrop of Latin American cinema history. The film focuses on an unnamed filmmaker who becomes obsessed with completing Jean-Louis Jorge's unfinished work. The project serves as a tribute to Jorge's legacy while also delving into the challenges faced by those trying to preserve artistic legacies.
