Mujeres infieles (2004)
Año de lanzamiento: 2004
Nación: Chile
Alternative Title: Unfaithful Women
Director: Rodrigo Ortuzar Lynch
Writer: Juan Jose Hurtado, Marcelo Slavich, Rodrigo Ortuzar Lynch, Walter Slavich
Producción & Género
Productor: Co_Producer: Kike Morandé
Executive_Producer: Juan Carlos Arriagada, Rodrigo Ortuzar Lynch
Compañías: Jazz Films
Género: Comedy, Comedy Film, Drama
Budget: N/A
Palabras clave
Palabras clave: cigarette smoking, female female kiss, female full frontal nudity, female topless nudity, house, large breasts, lighting a cigarette, male frontal nudity, male nudity, nun, post coital scene, pubic hair, sex from behind, sex scene, sexually liberated woman, south america, southern hemisphere, stepmother stepson incest, stepmother stepson sex, woman
Historia
Mujeres infieles (2004) explores the lives of three women, each navigating different aspects of infidelity in their relationships. The story begins with Cecilia Ureta, a renowned news anchor who hosts Chile's highest-rated show. Ironically, despite her public stance on fidelity and reporting a UN survey that 62% of Chilean women have been or are unfaithful, she herself maintains an affair with the network owner. During a live broadcast covering a motel fire, Cecilia's rival colleague exposes their relationship to the nation. This revelation sets off a chain reaction, sparking conversations about infidelity, sexual satisfaction, loneliness, and abandonment, ultimately becoming a topic of national interest.
Resumen
Directed by Rodrigo Ortúzar Lynch, Mujeres infieles is a Chilean drama-comedy that delves into the complexities of relationships and societal norms surrounding fidelity. The film explores these themes through its central character, Cecilia Ureta, whose public persona as a bastion of moral integrity contrasts starkly with her private life. The story unfolds against the backdrop of Chile's conservative society, using the controversial UN survey results to spark debate about women's experiences with infidelity. Although not explicitly stated in the provided plots, the film is notable for its candid exploration of sexual themes, including explicit scenes and mature content, reflecting a sexually liberated perspective for South American cinema.
