We're the Millers (2013)
Año de lanzamiento: 2013
Nación: United Kingdom, United States
Alternative Title: Família do Bagulho, Wir sind die Millers, Familien Miller... langt over grænsen, Me oleme Millerid, Somos los Miller
Director: Rawson Marshall Thurber
Writer: Bob Fisher, John Morris, Sean Anders, Steve Faber
Producción & Género
Productor: Producer: Chris Bender, Happy Walters, Tucker Tooley, Vincent Newman
Co-Producer: Matt Weaver
Executive Producer: Dave Neustadter, David Heyman, J.C. Spink, Marcus Viscidi, Richard Brener, Toby Emmerich
Compañías: Bad Version, BenderSpink, Heyday Films, New Line Cinema, Newman/Tooley Films, Slap Happy Productions, Warner Bros. Pictures
Género: Comedy, Comedy Film
Budget: 37.000.000
Premios & Similares
Premios:
Similar:
Palabras clave
Palabras clave: 4th of july, breaking the fourth wall, camping, carnival, dea, denver, colorado, drug dealer, drug gang, drug lord, drug money, drug smuggling, drug stealing, drug syndicate, drugs, fireworks, first kiss, homeless girl, man child, marijuana, mexico, pretend family, road trip, rv, strip tease, stripper, witness protection
Historia
David, a small-time pot dealer, loses his entire week's earnings in a robbery. His boss forces him to retrieve a shipment of marijuana from Mexico to replace it. To avoid suspicion at the border, David recruits Rose, a stripper down on her luck, and two local teenagers, Kenny and Casey, who are siblings but act as a couple for cover, to pose as his family on a holiday. The group travels in an RV, with David planning to smuggle the drugs back into Denver using their newfound 'family' status.
Resumen
Directed by Rawson Marshall Thurber, 'We're the Millers' is a 2013 comedy film that follows the misadventures of its titular characters. The story revolves around David's desperate attempt to cover up his botched robbery and salvage his job, leading him to create an unlikely fake family for their drug-smuggling road trip to Mexico. While details about themes or significance are limited in the provided sources, the film is primarily a comedy centered around this peculiar scenario.
