Escena de Le nom des gens (2010)
Detalles de la escena
| Duración: 129 seg.. | Desnudez: yes | Creador: DeepAtSea |
| Nuevo tamaño de archivo: Loading... | Sonido: yes | Tamaño de archivo anterior: 135 mb |
| Formato de archivo: AOMedia Video 1 (WebM/AV1) | Resolución: 1920x1040 | Agregado: 2013-05-16 |
Actrices en esta escena
Nombre de nacimiento: Sara Forestier
Fecha de nacimiento: 1986-10-04
Lugar de nacimiento: Copenhagen, Denmark
Detalles
Nombres alternativos: 사라 포레스티에
Características físicas: N/A
Carrera
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Biografía completa
Sara Forestier (born 4 October 1986 in Copenhagen, Denmark) is a French actress and director.
Sobre la película: Le nom des gens (2010)
Título alternativo: The Names of Love, A szerelem nevei, Askin Halleri, Der Name der Leute, El significado del amor, Los nombres del amor, Os Nomes do Amor, People's Names, Pes mou t'onoma sou
Director: Michel Leclerc
Guionista: Baya Kasmi, Michel Leclerc
Producción & Género
Productor(es): Producer: Caroline Adrian, Antoine Rein, Fabrice Goldstein, Veronique Hallot, Franck Celton
Compañías: Delante Films, TF1 Droits Audiovisuels, TPS Star, Canal+
Género: Comedy, Comedy Film, Drama, Romance, Romance Film, Romantic Comedy
Premios & Similares
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Palabras clave
Palabras clave: politics, voting results
Historia
Bahia Benmahmoud, a young woman with strong political beliefs, uses unconventional methods to sway people's opinions by engaging in intimate encounters with those who disagree with her. Her tactics prove successful until she meets Arthur Martin, a discreet middle-aged man whom she initially perceives as fascist due to his name and conservative appearance. However, Bahia soon discovers that appearances can be deceiving, and Arthur is not at all what he seems.
Resumen
Le nom des gens (2010) is a French comedy-drama directed by Michel Leclerc that explores themes of political engagement, personal transformation, and the complexities of first impressions. The film follows Bahia Benmahmoud, a free-spirited young woman with strong leftist views who employs unconventional methods to convert those who disagree with her. When she meets Arthur Martin, she misjudges him based on his name and appearance, leading to unexpected consequences as they navigate their relationship.