Actriz: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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Escena de Believers (1987)

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Detalles de la escena

Duración: 104 seg..Desnudez: yesCreador: zorg
Nuevo tamaño de archivo: Loading...Sonido: yesTamaño de archivo anterior: 103 mb
Formato de archivo: AOMedia Video 1 (WebM/AV1)Resolución: 1920x1040Agregado: 2014-12-21

Actrices en esta escena


Imagen de vista previa Helen Shaver
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Nombre de nacimiento: Helen Shaver

Fecha de nacimiento: 1951-02-24

Lugar de nacimiento: St. Thomas, Cole County, United States

Detalles

Nombres alternativos: Helen Jane Shaver, هلن شیور

Características físicas: N/A

Carrera

Primeras apariciones:

  • The Overlanders (1974) como Mrs. O'Mara

Roles más importantes:

  • Desert Hearts (1985) como Vivian Bell
  • D.C. Sniper: 23 Days of Fear (2003) como Sandy Moose
  • Tremors 2: Aftershocks (1996) como Kate 'White' Reilly
  • Best Defense (1984) como Claire
  • The Color of Money (1986) como Janelle
  • The Believers (1987) como Jessica Halliday
  • The Osterman Weekend (1983) como Virginia Tremayne
  • The Craft (1996) como Grace
  • That Night (1992) como Ann O'Connor
  • Countdown to Looking Glass (1984) como Dorian Waldorf

Puntos destacados de la carrera:

  • Desert Hearts (1985)
  • D.C. Sniper: 23 Days of Fear (2003)
  • Tremors 2: Aftershocks (1996)
  • Best Defense (1984)
  • The Color of Money (1986)
  • The Believers (1987)
  • The Osterman Weekend (1983)
  • The Craft (1996)
  • That Night (1992)
  • Countdown to Looking Glass (1984)

Premios

Premios:

  • Theatre World Award (1992)
  • Canada's Walk of Fame (2004)

Biografía completa

Helen Shaver is a Canadian stage, film and television actress and director. She attended the Banff School of Fine Arts and studied Acting at the University of Victoria, British Columbia, Canada. She started acting at 18, collaborating with industry giants like Scorsese and Spielberg. Her performances earned awards—Theatreworld Award for "Jake’s Woman," Genies for "In Praise of Older Women" (Best Actress) and "Who Has Seen the Wind" (Best Supporting Actress). Transitioning to directing, she helmed episodes for various series and directed Emmy-winning films like "Summer’s End." Despite childhood illness, her resilience led her to study acting and excel in her craft.


Sobre la película: Believers (1987)

Poster for Believers (1987)
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Año de lanzamiento: 1987

Nación: Canada, United Kingdom, United States

Título alternativo: The Believers, Adoradores do Diabo, Den 7. magt, Los creyentes, Pahan riivaamat, Les envoûtés, Oi daimonismenoi, A hívõk, Fekete mágia, The believers: I credenti del male, Santaria: Makai onryô, Mørkets makt, Wyznawcy zla, A Seita do Mal, Vudu vernici, De sju makterna, Tarikat, Das Ritual

Director: John Schlesinger

Guionista: Mark Frost, Nicholas Conde

Producción & Género

Productor(es): Producer: Beverly J. Camhe, John Schlesinger, Michael Childers
Executive Producer: Edward Teets

Compañías: Orion Pictures

Género: Drama, Film Based On Literature, Horror, Horror Film, Mystery, Mystery Film, Thriller

Premios & Similares

Premios:

  • 1 nomination total

Similar:

  • Blood and Wine (1996)
  • Someone to Watch Over Me (1987)
  • Death and the Compass (1992)
  • 13 m² (2007)
  • Blast of Silence (1961)

Palabras clave

Historia

In the aftermath of his wife's accidental death and a recent move to New York with his young son, police psychologist Cal Jamison finds himself reluctantly drawn into investigating a series of grisly, ritualistic murders involving the immolation of two youths. The murders bear the hallmarks of Voodoo or Santería rituals, and despite warnings from his housekeeper, Jamison becomes personally involved in the case, entering the scene of the crimes and eventually becoming influenced by the cult's beliefs. As he delves deeper into the investigation, Jamison believes that the cult may be targeting his own son for a child sacrifice.

Resumen

Believers is a 1987 film directed by John Schlesinger, which blends elements of drama, horror, and mystery. The story revolves around Cal Jamison, a police psychologist struggling with grief after his wife's death. When he moves to New York and becomes involved in investigating ritualistic murders, his personal life intersects with the macabre crimes. The film is notable for its exploration of African deities and cult rituals, particularly Voodoo or Santería, as well as its tense portrayal of a father's desperate efforts to protect his son from harm.