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Escena de Estrela Nua (1984)

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Detalles de la escena

Duración: 174 seg..Desnudez: yesCreador: Ruffah
Nuevo tamaño de archivo: 13 mb (80% saved)Sonido: yesTamaño de archivo anterior: 64 mb
Formato de archivo: AOMedia Video 1 (WebM/AV1)Resolución: 720x544Agregado: 2015-01-28

Actrices en esta escena


Imagen de vista previa Carla Camurati
Rank #3643

Nombre de nacimiento: Carla Camurati

Fecha de nacimiento: 1960-10-14

Lugar de nacimiento: Brazil

Carrera

Primeras apariciones:

  • O Olho Mágico do Amor (1981) como Vera Maria Gatta

Roles más importantes:

  • Celebração - 100 Anos do Cinema Nacional (1997) como Self
  • The Egg (2003) como
  • Brazilian Cinema in the 20th Century (2017) como Self
  • Antonio Carlos Gomes (1996) como Atriz italiana
  • The Good Times Are Here: Let It All Hang Out (1985) como Soninha
  • New Wave (1983) como Rita
  • O Olho Mágico do Amor (1981) como Vera Maria Gatta
  • Lamarca (1994) como Clara
  • Hidden City (1986) como Shirley Sombra
  • Naked Star (1984) como Glorinha

Puntos destacados de la carrera:

  • Celebração - 100 Anos do Cinema Nacional (1997)
  • The Egg (2003)
  • Brazilian Cinema in the 20th Century (2017)
  • Antonio Carlos Gomes (1996)
  • The Good Times Are Here: Let It All Hang Out (1985)
  • New Wave (1983)
  • O Olho Mágico do Amor (1981)
  • Lamarca (1994)
  • Hidden City (1986)
  • Naked Star (1984)

Premios

Premios:

  • Nominated for 1 Cinema Brazil Grand Prize - Best Documentary (Melhor Documentário) (2022)
  • Nominated for 1 Cinema Brazil Grand Prize - Best Screenplay, Adapted (Melhor Roteiro Adaptado) (2007)
  • Won Eduardo Abelin Trophy (2019)
  • Won Golden Kikito - Best Actress (Melhor Atriz) (1988)
  • Won Special Jury Award (1985)
  • Won Golden Kikito - Best Supporting Actress (Melhor Atriz Coadjuvante) (1982)
  • Won Audience Award - Best Film (Melhor Filme) (2006)
  • Won APCA Trophy - Best Actress (Melhor Atriz) (1986)
  • Won APCA Trophy - Best Actress (Melhor Atriz) (1983)
  • Nominated for 1 CinEuphoria - Best Film - National Competition (2015)
  • Nominated for 1 Premio Guarani - Best Original Screenplay (2002)
  • Nominated for 1 Premio Guarani - Best Director (1996)
  • Nominated for 1 Premio Guarani - Best Screenplay (1996)

Biografía completa

Carla de Andrade Camurati (Rio de Janeiro, October 14, 1960) is a Brazilian filmmaker, screenwriter, cultural producer and former actress. After being featured in telenovelas such as Livre para Voar (1984) and Fera Radical (1988), she left her acting career in 1994 to dedicate herself to filmmaking, founding Copacabana Filmes and directing several films since then. She also became an influential cultural producer, having chaired the International Children's Film Festival and the Municipal Theater of Rio de Janeiro between 2007 and 2014.


Sobre la película: Estrela Nua (1984)

Poster for Estrela Nua (1984)
Rank #1650

Año de lanzamiento: 1984

Nación: Brazil

Título alternativo: N/A

Director: José Antonio Garcia, Ícaro Martins

Guionista: Clarice Lispector, José Antonio Garcia, Ícaro Martins

Producción & Género

Productor(es): Producer: Ary Fernandes, Adone Fragano

Compañías: Olympus Filme

Género: Drama, Mystery

Premios & Similares

Premios:

  • 3 wins & 1 nomination total

Similar:

  • Triad Election (2006)
  • Alien Implant (2017)
  • Rings (2017)
  • A Little Trip to Heaven (2005)
  • London to Brighton (2006)

Palabras clave

Palabras clave: spiritual

Historia

Estrela Nua tells the story of an actress who gets her big break when she is hired to dub another actress who had recently committed suicide. As time passes, she starts to feel a strange connection with the deceased woman. Gradually, her personality begins to merge with that of the dead actress.

Resumen

Estrela Nua is a 1984 Brazilian drama-mystery film directed by José Antonio Garcia and Ícaro Martins. The movie focuses on an unnamed actress who lands her first significant role dubbing another actress who has died by suicide. While the plot details are limited, it explores themes of identity, obsession, and possibly possession as the protagonist's personality starts to merge with that of the deceased woman.