Escena de Hotel (2001)
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Biografía completa
Stefania Rocca was born on April 24, 1971 in Turin. She is best known for her roles in the films Nirvana (1997), The Talented Mr. Ripley (1999) and Dracula (2002). Rocca also was the lead in Dario Argento's The Card Player. Among her most recent appearances, she was in Alessandro D'Alatri's comedy film Commediasexi where she played the main character, Pia Roncaldi. She starred as Hannah in the 1997 film Solomon.
Rocca was born on 24 April 1971 in Turin, the daughter of a Fiat chief of security and a stylist. Beginning in her adolescence Rocca studied piano, singing, and dancing at the Teatro Stabile di Torino. In the late 1980s she moved to Milan where she started working as a model; in Milan, she enrolled in a series of acting courses. In 1993, thanks to a scholarship, she joined the Centro Sperimentale di Cinematografia in Rome. She also studied at the Actors Studio in New York City.
Rocca is married to her long-time partner Carlo Capasa, whom she wed in a highly secretive ceremony in 2013. The couple has been together since 2005, and has two sons.
Rocca made her acting debut with a secondary role in Giulio Base's Policemen but her breakout role was the blue-haired Naima in the Gabriele Salvatores' cyberpunk film Nirvana (1997). After enrolling a course at the Actors Studio in New York, in 1998, Rocca had her first main role in the controversial erotic thriller Viol@, and for her performance she was nominated to the Nastro d'Argento for Best Actress. One year later, Rocca appeared in Anthony Minghella's The Talented Mr. Ripley as Jude Law's lover, then she appeared in other international productions, including Kenneth Branagh's Love's Labour's Lost, Mike Figgis' experimental Hotel and Tom Tykwer's Heaven.
In 2003, Rocca had her main commercial success in Italy, with Alessandro D'Alatri's comedy Casomai, which also gave her a nomination for Best Actress at the Nastro d'Argento and David di Donatello Awards. In 2005, she played a blind lesbian in the Academy Award-nominated drama The Beast in the Heart, and for her performance, she was nominated for the David di Donatello for Best Supporting Actress. Since the mid-2000s, Rocca has mainly appeared on television. She is also active on stage.
Sobre la película: Hotel (2001)
Año de lanzamiento: 2001
Nación: Italy, United Kingdom
Título alternativo: Szálló, Отель
Director: Mike Figgis
Guionista: Heathcote Williams, John Webster, Mike Figgis
Producción & Género
Productor(es): Producer: Annie Stewart, Ernst Etchie Stroh, Mike Figgis
Co-Producer: Lesley Stewart
Executive Producer: Andrea Calderwood
Compañías: Cattleya, Hotel Productions, Moonstone Entertainment
Género: Avant-Garde, Comedy, Mystery, Thriller
Premios & Similares
Premios:
Similar: N/A
Palabras clave
Palabras clave: based on play, carnival, erection, female female kiss, female nudity, hotel, large penis, maid, male frontal nudity, male full frontal nudity, male nudity, male pubic hair, murder, music score composed by director, period drama, period piece, pubic hair, split screen
Historia
In the luxurious surroundings of an Italian hotel in Venice, a diverse group of individuals come together, each with their own secrets and agendas. Among them are a sex worker named Mimi (Sally Freeman) who is hiding from her pimp, and a hired killer named Jack (Simon Baker) who has been sent to eliminate her. Meanwhile, a film crew led by the eccentric director Michael (Michael Caine) arrives to shoot their latest project. As these worlds collide, it becomes apparent that something sinister is going on in this hotel - human meat is being served as a delicacy. Throughout their stay, the characters navigate their own webs of deceit and desire, culminating in a tense confrontation where everyone's true intentions are revealed.
Resumen
Mike Figgis' 'Hotel' (2001) is an avant-garde thriller that explores the darker side of human nature within the confines of a luxurious Venetian hotel. The film is structured as a complex web of interconnected stories, each featuring unique characters who embody various facets of desire and deceit. While the plot revolves around a cannibalistic subculture operating within the hotel's walls, the movie itself is a commentary on the artifice of filmmaking, with many cameos from industry professionals. 'Hotel' blurs the lines between reality and fiction, offering a unique blend of mystery, comedy, and thriller elements that keep viewers guessing until the very end.