Escena de Angel's Dance (1999)
Detalles de la escena
| Duración: 12 seg.. | Desnudez: yes | Creador: Ruffah |
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| Formato de archivo: AOMedia Video 1 (WebM/AV1) | Resolución: 720x544 | Agregado: 2016-03-28 |
Actrices en esta escena
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Sobre la película: Angel's Dance (1999)
Año de lanzamiento: 1999
Nación: United States
Título alternativo: El guardián, Anjo Perigoso, Ein hoffnungsvoller Nachwuchskiller, Las dos caras del asesino, Les dues cares de l'assassí, Contrat sur une tueuse, O horos ton dolofonon, Angel bosszúja, Professione killer, Na Mira do Assassino, Lethal Angel
Director: David L. Corley
Guionista: David L. Corley
Producción & Género
Productor(es): Producer: David Bixler
Co-Producer: John Glasser
Executive Producer: Jon Kramer
Compañías: Promark Entertainment Group, Videal GmbH
Premios & Similares
Premios: N/A
Similar:
Palabras clave
Palabras clave: assassination, criminal, dark comedy, dual personality, duality, gangster, hired killer, hitman, mafia, multiple personality, new identity
Historia
In 'Angel's Dance', Tony aspires to become a Mafia hitman but must first prove himself by completing a training program with Stevie, an unconventional mentor who quotes Nietzsche and eats veggie burgers. Tony's final test involves assassinating someone randomly chosen from the yellow pages, which leads him to Angel Chaste. Angel is an eccentric woman working the graveyard shift at a mortuary; she believes a doll is her baby and has emotional issues stemming from her mother abandoning her as a child. When Tony targets Angel, he finds himself drawn into her unconventional life, and his intended assassination becomes complicated.
Resumen
Angel's Dance is a 1999 film directed by David L. Corley, blending genres of action, comedy, and romance. The story revolves around Tony, a young criminal aiming to prove himself as a Mafia hitman through an unconventional training program with Stevie. The narrative explores themes of duality—Tony's internal struggle between his ambition and his growing empathy for Angel—and multiple personalities, both literally in Angel's case and metaphorically through the contrasting personas of Tony and Stevie.