Escena de L'Universale (2016)
Detalles de la escena
| Duración: 27 seg.. | Desnudez: yes | Creador: Ruffah |
| Nuevo tamaño de archivo: Loading... | Sonido: yes | Tamaño de archivo anterior: 20 mb |
| Formato de archivo: AOMedia Video 1 (WebM/AV1) | Resolución: 1920x800 | Agregado: 2017-04-27 |
Actrices en esta escena
Nombre de nacimiento: Margherita Vicario
Fecha de nacimiento: 1988-02-13
Lugar de nacimiento: Rome, Lazio, Italy
Detalles
Nombres alternativos: Маргеріта Вікаріо
Características físicas: N/A
Carrera
Primeras apariciones:
Roles más importantes:
Puntos destacados de la carrera:
Premios
Premios:
Biografía completa
Margherita Vicario, born in Italy, is an Italian actress and singer-songwriter. She played a significant role in 'L'Universale' (2016), a film about a cultural landmark cinema theatre in Florence that brought together diverse audiences.
Sobre la película: L'Universale (2016)
Título alternativo: N/A
Director: Federico Micali
Guionista: Federico Micali, Heidrun Schleef, Cosimo Calamini
Producción & Género
Productor(es): Producer: Francesco Tatò, Fabio Lombardelli
Compañías: L'Occhio e la Luna, Ministero dei Beni e delle Attività Culturali e del Turismo (MiBACT), Toscana Film Commission
Género: Comedy
Palabras clave
Palabras clave: cheating girlfriend, female nudity, female rear nudity, friendship, infidelity, sex scene
Historia
This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.
Resumen
In Florence's vibrant '60s to '80s cultural scene, a unique film theatre reigned supreme - The Universale. This cinematic hub was renowned for its eclectic patronage: intellectuals, students, and residents of the gritty San Frediano neighborhood mingled under its Art Deco marquee. The Universale's projector room bore witness to this creative tumult through Tommaso, son of the theatre's projectionist, as he navigated three lifelong friends destined to lose and find each other repeatedly amidst the city's ever-changing landscape.