Escena de Splav meduze (1980)
Detalles de la escena
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| Formato de archivo: AOMedia Video 1 (WebM/AV1) | Resolución: 1280x720 | Agregado: 2022-01-09 |
Actrices en esta escena
Nombre de nacimiento: Vladislava Milosavljević
Fecha de nacimiento: 1955-07-08
Lugar de nacimiento: Belgrade, City of Belgrade, Serbia
Detalles
Nombres alternativos: Vladica Milosavljević, Vladica Milosavljevic
Características físicas: N/A
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Biografía completa
Vladislava Milosavljević starred in the 1980 Yugoslav film 'Splav meduze'. She was part of a group led by Serbian futurist/dadaist poet Ljubisa Micic, known as the Zenith movement. The group traversed rural areas of what was then the Kingdom of Serbs, Croats and Slovenes, engaging in avant-garde activities influenced by prominent European artists like Tristan Tzara and Vladimir Mayakovsky.
Sobre la película: Splav meduze (1980)
Título alternativo: A tutaj utasai, Tratwa meduzy, Medusas flotte, The Medusa Raft, Das Floß der Medusa
Director: Karpo Acimovic-Godina
Guionista: Branko Vucicevic
Producción & Género
Productor(es): executive producer (uncredited): Zoran Milatovic
Compañías: Viba film, Radiotelevizija Beograd
Género: Drama
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Palabras clave
Historia
In the early 1920s, a group of bohemian artists, led by Serbian futurist/dadaist poet Ljubisa Micic, traverse the rural landscapes of what was then the Kingdom of Serbs, Croats and Slovenes. They establish an avant-garde movement called Zenithism. Throughout their journey, they encounter diverse figures such as Tristan Tzara and Vladimir Mayakovsky, and are accompanied by brave, eccentric women and strongmen like Zampone from Fellini's 'La strada'. As they navigate the muddy roads, they engage in artistic pursuits and exchange ideas with famous contemporaries.
Resumen
Splav meduze (1980) is a Yugoslavian drama film directed by Karpo Acimovic-Godina. Set against the backdrop of early 20th-century Balkans, it chronicles the misadventures of a group of artists and bohemians led by Ljubisa Micic. The film explores themes of artistic genius, eccentricity, and the struggles faced by those who dare to push boundaries. Although specifics about plot events are scarce in the provided sources, it is clear that the movie is a celebration of the avant-garde spirit, capturing the essence of Zenithism and its proponents' interactions with notable figures from the art world.