Escena de Les désaxées (1972)

Primeras apariciones:

• Marianne Bouquet (1972) como Marianne

Roles más importantes:

• The Girl's Dead, Man (1974) como
• Fire on Sight (1984) como
• Marianne Bouquet (1972) como Marianne
• Mannequin (1974) como

Puntos destacados de la carrera:

• The Girl's Dead, Man (1974)
• Fire on Sight (1984)
• Marianne Bouquet (1972)
• Mannequin (1974)

Claudia Coste, born as Claudia Manderla in Belgrade on January 12, 1948, was a Serbian actress known for her role in 'Les désaxées' (1972). She began her career in the early 1960s, appearing in several films and television shows. After her role in 'Les désaxées', she retired from acting.

Nombres alternativos: Mary Ann Evans, Eileen Welles, Constance Penny, Eileen Mills, Ilene Wells, Eileen Weller, Ellen Enculeur

Características físicas: N/A

Nombres alternativos: Janine Renaud, Janine Raynaud, Janine Reynault

Características físicas: N/A

Primeras apariciones:

• Six Days a Week (1965) como

Roles más importantes:

• Blindman (1971) como Prostitute
• Castle of the Creeping Flesh (1968) como Vera Lagrange
• Succubus (1968) como Lorna Green
• The Seventh Floor (1967) como
• The Case of the Scorpion's Tail (1971) como Lara Florakis
• From Istanbul, Orders to Kill (1965) como Janine
• Two Undercover Angels (1969) como Diana
• Kiss Me Monster (1969) como Diana
• Killer Without a Face (1968) como Francis
• I Am a Nymphomaniac (1971) como Murielle

Puntos destacados de la carrera:

• Blindman (1971)
• Castle of the Creeping Flesh (1968)
• Succubus (1968)
• The Seventh Floor (1967)
• The Case of the Scorpion's Tail (1971)
• From Istanbul, Orders to Kill (1965)
• Two Undercover Angels (1969)
• Kiss Me Monster (1969)
• Killer Without a Face (1968)
• I Am a Nymphomaniac (1971)

Janine Reynaud was a French actress and model who was active during her career.

Nombres alternativos: Magda Malinvaud

Características físicas: N/A

Primeras apariciones:

• Marianne Bouquet (1972) como la brune

Roles más importantes:

• Les Confidences érotiques d'un lit trop accueillant (1973) como
• Hot Lips (1973) como
• The House of the Lost Dolls (1974) como Yvette
• Godefinger ou Certaines chattes n'aiment pas le mou (1975) como Katia
• Marianne Bouquet (1972) como la brune
• La veuve lubrique (1975) como
• The Adulteress (1973) como Paul's friend
• The Insolent (1973) como

Puntos destacados de la carrera:

• Les Confidences érotiques d'un lit trop accueillant (1973)
• Hot Lips (1973)
• The House of the Lost Dolls (1974)
• Godefinger ou Certaines chattes n'aiment pas le mou (1975)
• Marianne Bouquet (1972)
• La veuve lubrique (1975)
• The Adulteress (1973)
• The Insolent (1973)

Magda Mundari, known for her role in 'Les désaxées' (1972), was married to Michael but struggled with his infidelity. Her character, Marianne, faced a dilemma when she met Philip and had an affair herself. The film explores themes of love, lust, and emotional growth as Marianne considers leaving her marriage for a new life.

Nombres alternativos: Martine Azenko, Martine Azincot

Características físicas: N/A

Primeras apariciones:

• Marianne Bouquet (1972) como Edith

Roles más importantes:

• Seven Women for Satan (1975) como Joëlle
• C'est bon pour la santé (1975) como Marie-Hélène, une fausse scandinave
• Les Confidences érotiques d'un lit trop accueillant (1973) como Irene
• Marianne Bouquet (1972) como Edith
• Gunfight at OQ Corral (1974) como
• The Adulteress (1973) como Girl at Sophie's
• The 11,000 Sexes (1975) como Francoise
• Young Girls in Ecstasy (1974) como Chantal

Puntos destacados de la carrera:

• Seven Women for Satan (1975)
• C'est bon pour la santé (1975)
• Les Confidences érotiques d'un lit trop accueillant (1973)
• Marianne Bouquet (1972)
• Gunfight at OQ Corral (1974)
• The Adulteress (1973)
• The 11,000 Sexes (1975)
• Young Girls in Ecstasy (1974)

Martine Azencot starred as Boris Zaroff in the 1976 film 'Les week-ends maléfiques du Comte Zaroff'. The character of Boris, a modern businessman haunted by his sadistic father's past, suffers hallucinations involving harm to beautiful women and is indoctrinated into his family's dark legacy by his butler. However, he is periodically drawn away from this fate by the apparition of a deceased countess who previously owned their castle.

Primeras apariciones:

• Trans-Europ-Express (1966) como la vendeuse

Roles más importantes:

• La chatte sur un doigt brûlant (1975) como Marie, la bonne des Lalyre
• Infidélités (1975) como Prune
• Trans-Europ-Express (1966) como la vendeuse
• The Bitches (1973) como Martine
• There's a Bone in the Mill (1974) como
• Weekend (1967) como Marie-Madeleine (uncredited)
• Cry of the Heart (1974) como
• Salut Berthe ! (1968) como Adulterous wife (uncredited)
• Clodo (1971) como Aurélie
• Playing with Fire (1975) como The whore (uncredited)

Puntos destacados de la carrera:

• La chatte sur un doigt brûlant (1975)
• Infidélités (1975)
• Trans-Europ-Express (1966)
• The Bitches (1973)
• There's a Bone in the Mill (1974)
• Weekend (1967)
• Cry of the Heart (1974)
• Salut Berthe ! (1968)
• Clodo (1971)
• Playing with Fire (1975)

"In France, it is rumored that women don their finest undergarments. Among them is Virginie Vignon, whose name, like a pleasing rhyme, could introduce another 'V' in her bare initiation, Le Jeu avec le feu (1975). Virginie bares all for the audience, revealing her assets. Her nether regions differ from her hair color, yet no objections seem raised. In Les Vécés étaient fermés de l'intérieur (1976), Virginie drips sex appeal from her breasts—sweet to behold, but unfortunately, it marks her final appearance."