Actriz: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Título: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Duración: 106 seg..Desnudez: yesCreador: supers992
Nuevo tamaño de archivo: Loading...Sonido: yesTamaño de archivo anterior: 79 mb
Formato de archivo: AOMedia Video 1 (WebM/AV1)Resolución: 1920x1080Agregado: 2026-01-15

Actrices en esta escena


Imagen de vista previa Britt Ekland
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Nombre de nacimiento: Britt Ekland

Fecha de nacimiento: 1942-10-06

Lugar de nacimiento: Stockholm, Sweden

Detalles

Nombres alternativos: Britt Marie Eklund, Britt-Marie Eklund, Britta Ekman, بریت اکلاند

Características físicas: N/A

Carrera

Primeras apariciones:

  • G.I. Blues (1960) como Britta - Redhead (uncredited)

Roles más importantes:

  • Get Carter (1971) como Anna
  • The Man with the Golden Gun (1974) como Mary Goodnight
  • Casanova & Co. (1977) como Countess Trivulzi
  • Fraternity Vacation (1985) como Eyvette
  • Scandal (1989) como Mariella Novotny
  • Asylum (1972) como Lucy
  • Bond Girls Are Forever (2002) como Mary Goodnight, 'The Man with the Golden Gun' (archive footage)
  • Endless Night (1972) como Greta
  • Moon in Scorpio (1987) como Linda
  • The Night They Raided Minsky's (1968) como Rachel Schpitendavel

Puntos destacados de la carrera:

  • Get Carter (1971)
  • The Man with the Golden Gun (1974)
  • Casanova & Co. (1977)
  • Fraternity Vacation (1985)
  • Scandal (1989)
  • Asylum (1972)
  • Bond Girls Are Forever (2002)
  • Endless Night (1972)
  • Moon in Scorpio (1987)
  • The Night They Raided Minsky's (1968)

Premios

Premios:

  • Nominated for 1 Golden Laurel - Female New Face (1967)

Biografía completa

Britt-Marie Ekland is a Swedish actress long resident in the United Kingdom. She is best known for her roles as a Bond girl in The Man with the Golden Gun, and in the British cult horror film The Wicker Man, as well as her marriage to actor Peter Sellers, and her high-profile social life.

Imagen de vista previa Colette Giacobine
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Nombre de nacimiento: Colette Giacobine

Fecha de nacimiento: N/A

Lugar de nacimiento: France

Detalles

Nombres alternativos: Colette Jack, Colette Giacobino

Características físicas: N/A

Carrera

Primeras apariciones:

  • Turistas y bribones (1969) como Ingrid

Roles más importantes:

  • Count Dracula (1970) como Greta (uncredited)
  • Vampir Cuadecuc (1972) como Self / Greta, Housekeeper (uncredited)
  • The Ibéricas Football Club (1971) como
  • Nightmares Come at Night (1970) como Cynthia Robins
  • What the Peeper Saw (1972) como Sarah
  • Versatile Lovers (1970) como Dominique Leprince
  • Eugenie (1970) como Colette (uncredited)
  • The Little Triangle (1972) como Lola
  • Turistas y bribones (1969) como Ingrid

Puntos destacados de la carrera:

  • Count Dracula (1970)
  • Vampir Cuadecuc (1972)
  • The Ibéricas Football Club (1971)
  • Nightmares Come at Night (1970)
  • What the Peeper Saw (1972)
  • Versatile Lovers (1970)
  • Eugenie (1970)
  • The Little Triangle (1972)
  • Turistas y bribones (1969)

Biografía completa

Colette Giacobine is a French actress who became a distinctive figure in European cult and exploitation cinema during the late 1960s and early 1970s. She is most notably recognized for her frequent collaborations with the prolific Spanish director Jess Franco, appearing in several of his atmospheric and provocative films. One of her most prominent roles was in the psychosexual thriller Nightmares Come at Night (1970), where she portrayed a seductive yet enigmatic nightclub dancer caught in a web of murder and obsession.

Throughout her career, Giacobine demonstrated a versatile screen presence, often appearing in roles that blended psychological tension with the era's aesthetic of dark glamour. Her filmography includes a supporting role as Greta in Franco’s Count Dracula (1970), starring Christopher Lee, and a part in the provocative drama Eugenie… The Story of Her Journey into Perversion (1970). In the 1972 psychological thriller What the Peeper Saw (also known as Night Hair Child or La tua presenza nuda!), she played the role of Sarah, a character whose tragic fate serves as a pivotal moment in the film’s narrative. Beyond her work in the horror and thriller genres, she also appeared in lighter fare such as the Spanish sports comedy Las ibéricas F.C. (1971). Although her active career in the spotlight was relatively brief, her contributions to the "Euro-cult" movement have left a lasting impression on fans of vintage independent cinema.


Sobre la película: La tua presenza nuda! (1972)

Poster for La tua presenza nuda! (1972)
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Año de lanzamiento: 1972

Nación: Italy, United Kingdom

Título alternativo: What the Peeper Saw, Wat de gluurder zag, Uma Fresta no Teto, Una grieta en el techo, Vindueskiggeren, Les emotions d'un jeune voyeur, L'enfant de la nuit, Der Zeuge hinter der Wand, Ti eide to poniro mati, Night Hair Child, Naito chairudo, Night Child, Diabólica malicia, Дитя ночи, Röntgencinin Gördüğü, Diabolisch, Child of the Night

Director: Andrea Bianchi, James Kelley

Guionista: Andrea Bianchi, Bautista Lacasa Nebot, Erich Kröhnke, Trevor Preston

Producción & Género

Productor(es): Producer: Oliver A. Unger, Graham Harris, Harry Alan Towers, Andrés Vicente Gómez

Compañías: Cemo Film, Corona Filmproduktion, Eguiluz Films

Género: Drama, Horror

Premios & Similares

Premios: N/A

Similar:

  • The Glass House (2001)
  • Pleasantville (1998)
  • The Number 23 (2007)
  • Piercing (2019)
  • Dual Mania (2021)

Palabras clave

Historia

In 'La tua presenza nuda!', an English writer brings his young, glamorous new bride to his isolated home in rural Spain. The bride becomes increasingly obsessed with her 12-year-old stepson, who has recently been expelled from school for unknown reasons. As her paranoia about the boy grows, it's unclear whether he is a victim of her neurotic imagination or if there's more to his behavior than meets the eye.

Resumen

Set in rural Spain, 'La tua presenza nuda!' (1972) is a psychological thriller that draws inspiration from Henry James' 'The Turn of the Screw'. Directed by Andrea Bianchi and James Kelley, it explores themes of obsession, paranoia, and the blurred line between reality and imagination. The film centers around the relationship between a widowed English writer's young bride and her stepson, raising questions about innocence and guilt in a tense and atmospheric setting.