Actriz: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Título: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Duración: 12 seg..Desnudez: yesCreador: LunarScan
Nuevo tamaño de archivo: Loading...Sonido: yesTamaño de archivo anterior: 2 mb
Formato de archivo: AOMedia Video 1 (WebM/AV1)Resolución: 352x240Agregado: 2005-05-01

Actrices en esta escena


Imagen de vista previa Lisa Boyle
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Nombre de nacimiento: Lisa Boyle

Fecha de nacimiento: 1964-08-06

Lugar de nacimiento: Chicago, Illinois, United States

Detalles

Nombres alternativos: Cassandra Leigh, Lissa Boyle, Lisa Boyles, Cassandrea Leigh, Lisa D. Boyle, لیسا بویل

Características físicas:

  • Eye Color: brown
  • Hair Color: brown hair

Carrera

Primeras apariciones:

  • Earth Girls Are Easy (1988) como Curl Up and Dye Dancer

Roles más importantes:

  • Lost Highway (1997) como Marian
  • Bad Boys (1995) como Girl Decoy
  • I Like to Play Games (1995) como Suzanne
  • Friend of the Family (1995) como Montana Stillman
  • Alien Terminator (1996) como Rachel
  • Intimate Deception (1997) como Tina
  • Caged Heat 3000 (1995) como Kira
  • Lola's Game (1998) como Stripper (uncredited)
  • Midnight Tease (1994) como Samantha
  • Earth Girls Are Easy (1988) como Curl Up and Dye Dancer

Puntos destacados de la carrera:

  • Lost Highway (1997)
  • Bad Boys (1995)
  • I Like to Play Games (1995)
  • Friend of the Family (1995)
  • Alien Terminator (1996)
  • Intimate Deception (1997)
  • Caged Heat 3000 (1995)
  • Lola's Game (1998)
  • Midnight Tease (1994)
  • Earth Girls Are Easy (1988)

Biografía completa

Lisa Doreen Boyle (born August 6, 1968) is an American actress and model most known for her appearances in Playboy magazine and its various Special Editions. She is also a freelance photographer, shooting content for various publications.


Sobre la película: Lost Highway (1997)

Poster for Lost Highway (1997)
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Año de lanzamiento: 1997

Nación: France, United States

Título alternativo: Carretera perdida, Estrada Perdida, Route perdue, Hameni leoforos, Útvesztőben, Strade perdute, Por el lado oscuro del camino, Zagubiona autostrada, Hotel izgubljenih duša, Шоссе в никуда, Izgubljena cesta, Kayip otoban

Director: David Lynch

Guionista: Barry Gifford, David Lynch

Producción & Género

Productor(es): Producer: Deepak Nayar, Mary Sweeney, Tom Sternberg

Compañías: Asymmetrical Productions, CiBy 2000

Género: Drama, Horror Film, Mystery, Mystery Film, Thriller

Premios & Similares

Premios:

  • 4 wins & 6 nominations total

Similar:

  • CECI N'EST PLUS ODILE (2024)
  • Mystery Street (1950)
  • Diary of a Nymphomaniac (2008)
  • The Derby Stallion (2005)
  • Mum & Dad (2008)

Palabras clave

Historia

Lost Highway follows jazz saxophonist 'Fred Madison', who receives mysterious videotapes at his home featuring footage of him and his wife Renee from years ago, but no source address. One night, after a performance, he wakes up in his car on the side of the highway with no memory of how he got there. He returns home to find Renee dead, and soon after, he's arrested for her murder. In prison, he suffers from blackouts and transforms into 'Pete Dexter', a car mechanic who escapes the facility. Pete has a double life as a gangster named 'Maurice Dickinson' and is involved with a violent criminal organization. Meanwhile, Fred, now behind bars, becomes obsessed with an erotic dream he keeps having about a mysterious woman in red. The film's narrative intercuts between these two identities, culminating in a surreal car crash that brings the story full circle.

Resumen

Lost Highway is a surreal mystery thriller directed by David Lynch in 1997. Set in Los Angeles, California, it explores themes of identity crisis, jealousy, and paranoia through the fragmented narrative of jazz saxophonist Fred Madison, played by Bill Pullman. The film is known for its enigmatic plot, featuring dreamlike sequences, doppelgängers, and a complex transformation inside a prison cell. It's a typical Lynchian blend of horror, mystery, and drama, marked by its eerie atmosphere, bizarre imagery, and open-ended narrative.