Escena de New Rose Hotel (1998)
Detalles de la escena
| Duración: 65 seg.. | Desnudez: yes | Creador: Ribero |
| Nuevo tamaño de archivo: Loading... | Sonido: yes | Tamaño de archivo anterior: 17 mb |
| Formato de archivo: AOMedia Video 1 (WebM/AV1) | Resolución: 640x416 | Agregado: 2005-05-01 |
Actrices en esta escena
Nombre de nacimiento: Aria Maria Vittoria Rossa Argento
Fecha de nacimiento: 1975-09-20
Lugar de nacimiento: Rome, Lazio, Italy
Detalles
Nombres alternativos: Asia Aria Maria Vittoria Rossa Argento, 아시아 아르젠토, Азия Ардженто, アーシア・アルジェント, آسیا آرجنتو
Características físicas:
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Biografía completa
Asia Argento (born Aria Maria Vittoria Rossa Argento; 20 September 1975) is an Italian actress, singer, model, and director.
Her mother is actress Daria di Nicolodi and her father is Dario de Argento, an Italian film director, producer and screenwriter, well known for his work in the Italian giallo genre and for his influence on modern horror and slasher movies. Her maternal great-grandfather was composer Alfredo Casella.
Asia Argento started acting at the age of nine, playing a small role in a film by Sergio Citti. She also had a small part in Demons 2, a 1986 film written and produced by her father, at the age of 10, as well as its unofficial sequel, La Chiesa (The Church), when she was 14, and Trauma (1993), when she was 18. She received the David di Donatello (Italy's version of the Academy Award) for Best Actress in 1994 for her performance in Perdiamoci di vista, and again in 1996 for Compagna di viaggio, which also earned her a Grolla d'oro award. In 1998, Argento began appearing in English-language movies, such as B. Monkey and New Rose Hotel.
Argento has proven her ability to work in multiple languages, adding French, with a role as Charlotte de Sauve in 1994's La Reine Margot. That same year, she made her first foray into directing, calling the shots behind the short films Prospettive and A ritroso. In 1996, she directed a documentary on her father, and in 1998 a second one on Abel Ferrara, which won her the Rome Film Festival Award.
Argento directed and wrote her first movie, Scarlet Diva (2000), which her father co-produced. In 2002, she portrayed Russian undercover spy Yelena in the action film XXX alongside Vin Diesel. In 2004 she directed her second film The Heart Is Deceitful Above All Things, based on a book by JT LeRoy, the pen name of Laura Albert, this time in the United States.
Sobre la película: New Rose Hotel (1998)
Año de lanzamiento: 1998
Nación: United States
Título alternativo: Enigma do Poder, Хотел *Ню Роуз*, 新玫瑰旅馆, New Rose Hotel - Tuomiopäivän salaliitto, ニューローズホテル, Sin escrúpulos, Отель Новая Роза
Director: Abel Ferrara
Guionista: Abel Ferrara, Christ Zois, William Gibson
Producción & Género
Productor(es): Producer: Edward R. Pressman
Co-Producer: Adam Brightman, Christopher Walken, Willem Dafoe
Executive Producer: Alessandro Camon, Gregory G. Woertz, Jay Cannold
Compañías: Pressman Film, Quadra Entertainment
Género: Arthouse Science Fiction Film, Cyberpunk, Drama, Erotic Thriller, Mystery, Sci-Fi, Science Fiction, Science Fiction Film
Premios & Similares
Premios:
Similar:
Palabras clave
Palabras clave: based on short story, corporation, cyberpunk, future, genius, temptation
Historia
In the future, two corporations, Maas and Hosaka, are locked in competition for control over the world's best minds. Hiroshi, currently working for Maas, becomes their target. X, a trainer hired by Hosaka, is tasked with using Sandii, a young woman posing as an Italian girl from Japan, to lure Hiroshi away from Maas. X must train Sandii to seduce and manipulate Hiroshi, but complications arise when X begins to fall in love with Sandii himself.
Resumen
New Rose Hotel (1998) is a science fiction film directed by Abel Ferrara, loosely based on the short story of the same name by William Gibson. Set in an undefined future, it explores themes of corporate espionage, manipulation, and the human struggle against technological advancement. The film's unique blend of cyberpunk aesthetics, erotic thriller elements, and philosophical musings makes it a distinct entry in both science fiction and art-house cinema.