Actriz: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Título: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Detalles de la escena

Duración: 162 seg..Desnudez: yesCreador: Ruffah
Nuevo tamaño de archivo: Loading...Sonido: yesTamaño de archivo anterior: 100 mb
Formato de archivo: AOMedia Video 1 (WebM/AV1)Resolución: 1128x720Agregado: 2015-10-29

Actrices en esta escena

Imagen de vista previa Me Me Lai
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Nombre de nacimiento: Me Me Lai

Fecha de nacimiento: 1951-11-03

Lugar de nacimiento: Myanmar

Detalles

Nombres alternativos: Me Me Lay, 咪咪莱

Características físicas: N/A

Carrera

Primeras apariciones:

  • Passion Potion (1971) como Bride

Roles más importantes:

  • Last Cannibal World (1977) como Pulan
  • Eaten Alive! (1980) como Mowara
  • The Element of Crime (1984) como Kim
  • Mondo Cannibale (2016) como
  • Man from Deep River (1972) como Marayå
  • Au Pair Girls (1972) como Nan Lee
  • Crucible of Terror (1972) como Chi-San
  • Ennenstadt Europa – The Making of The Element of Crime (1984) como Self - Actress/Kim
  • Passion Potion (1971) como Bride
  • Revenge of the Pink Panther (1978) como Chinese Lady of Easy Virtue

Puntos destacados de la carrera:

  • Last Cannibal World (1977)
  • Eaten Alive! (1980)
  • The Element of Crime (1984)
  • Mondo Cannibale (2016)
  • Man from Deep River (1972)
  • Au Pair Girls (1972)
  • Crucible of Terror (1972)
  • Ennenstadt Europa – The Making of The Element of Crime (1984)
  • Passion Potion (1971)
  • Revenge of the Pink Panther (1978)

Biografía completa

Me Me Lai, sometimes billed as Me Me Lay, is an ex-actress born in Burma in 1952, to a Burmese mother and an English father. She moved to England in her teens, where she soon started her acting career, at first in television series like Paul Temple and Jason King. Soon, she made the transition to acting in movies, starting with the 1971 horror movie Crucible of Terror, soon followed by 1972's Au Pair Girls.

Lai came into her own during the era of Italian cannibal films, playing lead roles in two genre-defining movies: Il Paese del Sesso Selvaggio (1972) by Umberto Lenzi, and Ultimo Mondo Cannibale (1977) by Ruggero Deodato, in which her character is graphically consumed by a tribe of cannibals. Additionally, she also had a part in Mangiati Vivi (1980), again by Umberto Lenzi, in which her death scene from Ultimo Mondo Cannibale was re-used. Outside the cannibal genre, she had a role in Blake Edwards's 1978 comedy Revenge of the Pink Panther.

Me Me Lai also was co-hostess of British game shows The Golden Shot and Sale of the Century,and appeared on the 1970s Yorkshire Television programme Origami, with Robert Harbin.

Her last movie was Lars von Trier's The Element of Crime in 1984.

Sobre la película: Au Pair Girls (1972)

Poster for Au Pair Girls (1972)
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Año de lanzamiento: 1972

Nación: United Kingdom

Título alternativo: Mother's Helpers, Au pair - tytöt, Ypiretries kai kati allo sto krevvati, Le femmine sono nate per fare l'amore, The Young Playmates, Au-Pair-Girls

Director: Val Guest

Guionista: David Hamilton-Grant, Val Guest, David Adnopoz

Producción & Género

Productor(es): Producer: Kenneth Shipman, Guido Coen

Compañías: Tigon British Film Productions, The Cannon Group

Género: Romance, Comedy

Premios & Similares

Premios: N/A

Similar:

  • In Bed (2005)
  • Space Jam (1996)
  • The First Time (1983)
  • The Private Lesson (1975)
  • Pardon Mon Affaire (1976)

Palabras clave

Palabras clave: sexploitation, sex comedy

Historia

Four sexy young foreign girls come to England as au pairs and quickly become quite intimate with their employers, host families, and just about everyone else they encounter.

Resumen

Four cosmopolitan young women trade their native Europe and Asia for the green fields of England, arriving as au pairs eager to immerse themselves in new culture and lifestyle. However, they swiftly discover that beneath the stiff upper lip lies a pulsating heart. Before long, these seductive strangers are weaving intimacy into the fabric of their host families' lives, turning every encounter into an opportunity for connection, often blurring the lines between duty and desire.