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Título: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Alexandra Dahlström

Alexandra Dahlström

Nombre de nacimiento: Alexandra Dahlström

Fecha de nacimiento: 1984-02-12

Lugar de nacimiento: Q10524016

Detalles

Nombres alternativos: Alexandra Dahlstrom

Características físicas: N/A

Carrera

Primeras apariciones:

  • Truth or Dare (1997) como Fanny

Roles más importantes:

  • Show Me Love (1998) como Elin
  • In Bed with Santa (1999) como Jeanette
  • Locals (2022) como Olivia
  • Psychosis in Stockholm (2020) como Patient
  • Our Day Will Come (2010) como Fille anglaise #3
  • Truth or Dare (1997) como Fanny
  • Blondie (2012) como Lova
  • Mañana (2009) como Petra
  • Broken Hill Blues (2013) como Teacher
  • Picture World (2017) como Karin

Puntos destacados de la carrera:

  • Show Me Love (1998)
  • In Bed with Santa (1999)
  • Locals (2022)
  • Psychosis in Stockholm (2020)
  • Our Day Will Come (2010)
  • Truth or Dare (1997)
  • Blondie (2012)
  • Mañana (2009)
  • Broken Hill Blues (2013)
  • Picture World (2017)

Biografía completa

"Among Sweden's radiant actress exports - Malin Akerman, Alicia Vikander, Noomi Rapace, Lena Olin - Alexandra Dahlström stands out as another product of what seems like a magical water source in her homeland. The Gävle native's international debut was triumphant, winning the Guldbagge Award for Best Actress in 'Show Me Love' (1998). She followed this with a role in the black comedy 'In Bed with Santa' (1999), before taking a hiatus to complete her education. Dahlström returned to acting in 2004, starring in the short film 'Like Love But for Real!' and the Swedish drama 'Fröken Sverige', notable for its captivating close-ups of her cleavage. Subsequently, she appeared on television in the series 'Goede tijden, slechte tijden' (2007-2008) and 'Covert Affairs' (2012), and in films like 'Broken Hill Blues' (2013) and 'Psychosis in Stockholm' (2020). However, her most talked-about performance was in the French drama 'Our Day Will Come' (2010), where co-stars Olivier Barthelemy and Vincent Cassel played second fiddle to Dahlström's scene-stealing bare breasts. Despite her fluency in Swedish, Russian, German, French, English, and Italian, it's Alexandra's physique that transcends linguistic barriers."

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