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Portrait of Anita Strindberg

Anita Strindberg

Nombre de nacimiento: Anita Strindberg

Fecha de nacimiento: 1937-06-19

Lugar de nacimiento: Sweden, Oxford County, United States

Detalles

Nombres alternativos: Anita Edberg

Características físicas: N/A

Carrera

Primeras apariciones:

  • Blonde in Bondage (1957) como Telephone Operator

Roles más importantes:

  • The Eroticist (1972) como moglie dell'ambasciatore francese
  • The Case of the Scorpion's Tail (1971) como Cléo Dupont
  • My Father's Private Secretary (1976) como Ingrid
  • Your Vice Is a Locked Room and Only I Have the Key (1972) como Irina Rouvigny
  • Murder Obsession (1981) como Glenda
  • Tropic of Cancer (1972) como Grace Wright
  • Women in Cell Block 7 (1973) como Hilda
  • Puzzle (1974) como Mary Caine
  • The Antichrist (1974) como Greta
  • The African Deal (1973) como Eva McDougall

Puntos destacados de la carrera:

  • The Eroticist (1972)
  • The Case of the Scorpion's Tail (1971)
  • My Father's Private Secretary (1976)
  • Your Vice Is a Locked Room and Only I Have the Key (1972)
  • Murder Obsession (1981)
  • Tropic of Cancer (1972)
  • Women in Cell Block 7 (1973)
  • Puzzle (1974)
  • The Antichrist (1974)
  • The African Deal (1973)

Biografía completa

Anita Strindberg, born Anita Edberg, is a former Swedish actress who became one of the most well-known stars of the Italian giallo films in the 1970s.

Strindberg started her career in "gialli" with Lucio Fulci's Una lucertola con la pelle di donna ("A Lizard in a Woman's Skin") in 1971 and starred in her first lead role that same year, in Sergio Martino -directed La coda dello scorpione ("Case of the Scorpion's Tail"). In 1972, she starred in two more gialli; in Aldo Lado's Chi l'ha vista morire? ("Who Saw Her Die?") with George Lazenby and Martino's Il tuo vizio è una stanza chiusa e solo io ne ho la chiave ("Your Vice Is a Locked Room and Only I Have the Key") with Luigi Pistilli and Edwige Fenech.[1] After the early 1970s, Strindberg acted in many types of "genre films"; a women in prison film Diario segreto da un carcere femminile ("Women in Cell Block 7"), The Exorcist-like horror film L'anticristo ("The Antichrist") and a poliziotteschi film Milano odia: la polizia non può sparare ("Almost Human"), directed by Umberto Lenzi. Her last film was Riccardo Freda's Murder Obsession (Follia Omicida), also known as "Fear" and co-starred by Laura Gemser.

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