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Título: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Pilar Alcón

Pilar Alcón

Nombre de nacimiento: María del Pilar Alcón Gómez

Fecha de nacimiento: 1952-10-19

Lugar de nacimiento: San Martín de Pusa, Spain

Detalles

Nombres alternativos: Diana Eagle, María del Pilar Alcón Gómez

Características físicas: N/A

Carrera

Primeras apariciones:

  • Night of the Werewolf (1981) como Barbara

Roles más importantes:

  • The National Mummy (1981) como Prostituta Morena
  • Conan the Barbarian (1982) como Orgy Slave Girl (uncredited)
  • Night of the Werewolf (1981) como Barbara
  • It Smells Like Someone Died Here... But It Wasn't Me! (1990) como Enfermera
  • Magical Witches (1981) como
  • USA, violación y venganza (1983) como Susan White
  • Un rolls para Hipólito (1983) como Sara Angulo
  • Policía (1987) como Pepa
  • Yo quise hacer Los bingueros 2 (2016) como Ella misma
  • Don Cipote de la Manga (1985) como

Puntos destacados de la carrera:

  • The National Mummy (1981)
  • Conan the Barbarian (1982)
  • Night of the Werewolf (1981)
  • It Smells Like Someone Died Here... But It Wasn't Me! (1990)
  • Magical Witches (1981)
  • USA, violación y venganza (1983)
  • Un rolls para Hipólito (1983)
  • Policía (1987)
  • Yo quise hacer Los bingueros 2 (2016)
  • Don Cipote de la Manga (1985)

Biografía completa

"Pilar Alcón's most renowned appearance occurs not in a film she starred in but rather in the cult classic slasher flick Pieces (1982). She is immortalized as the nude model whose image adorns a puzzle being assembled by the future killer. His overbearing mother catches him and subsequently drives him to create a real-life, gruesome replica of that same nudie puzzle using human body parts! The shockwave caused by Pilar Alcón's bare form isn't confined to horror alone; it often brings laughter and arousal to viewers in Spanish comedies as well. She first bared all in the public sphere with the comedy El Soplagaitas (1980). Spain also boasts a rich tradition of horror, made more tolerable by Alcón's tendency to disrobe, such as in El Retorno del Hombre-Lobo (1980). Her comedic nude scenes continued in Un Rolls para Hipólito (1982) and Los Presuntos (1986), with the latter featuring a skinny-dipping scene sure to provoke a moist response. However, Alcón's talent extends beyond mere nudity, as demonstrated by her role in the dramatic thriller El Señor de los Llanos (1987). Her prolific career concluded at the decade's end with Aquí huele a muerto (1989), an enticing blend of humor and horror that showcased her range."

Aquí huele a muerto...(1990)1 SCENE
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Mil gritos tiene la noche(1982)2 SCENES
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